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Why we chose Shark Lady.

How we pick a book, and what one true story about a shark scientist teaches a six-year-old about reading.

BY
Beyond Young Academy
September 10, 2026 · 2 min read
The short version: We choose books that do two jobs at once — a story children want to hear, and a clear place to practice one specific reading skill. Shark Lady is a true story about a real scientist, and we use it to teach children to find the character, the setting, and the feelings inside a book of facts.
Cover of Shark Lady by Jess Keating: a woman in a red swimsuit and diving mask swimming alongside a large shark underwater
Shark Lady by Jess Keating, illustrated by Marta Álvarez Miguéns.

Why this book

Most picture books a young child meets are invented. Shark Lady is not. It is the true story of Eugenie Clark, who became fascinated by sharks after a childhood visit to an aquarium and grew up to study them so closely that she helped overturn the popular idea that sharks are mindless, dangerous predators. That work earned her the nickname, in a field that at the time had very few women in it.

That combination is rarer than it sounds, and it is exactly why we chose it. The child gets a real person worth admiring. We get a book of facts that still has a character, a setting, and feelings — the three things a beginning reader has to learn to find.

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The skill we are building

Ask a six-year-old what happened in a made-up story and most of them can tell you. Ask the same child about an informational book and many go quiet. They have quietly learned that facts are something to memorize rather than something to follow.

So we read Shark Lady as a story. Who is this about? Where is she? How does she feel when something goes wrong? Children answer those questions easily about a fox or a dragon. Doing it about a real scientist is the step that turns them into readers of nonfiction — which is most of what they will read for the rest of school.

Children answer those questions easily about a fox or a dragon. Doing it about a real scientist is the step that turns them into readers of nonfiction.

How we practice it

After the read-aloud, each child draws their favorite scene. That is not art time. A drawing shows us what a child actually understood — which moment mattered to them, whether they placed the setting correctly, whether the feeling landed — long before they have enough writing to tell us themselves.

Alongside it sits the ordinary work of learning to read: phonics practice, and a short writing check so the teacher knows where each child is starting from.

The same book, two levels

We read Shark Lady in Kindergarten as well as in Grade 1. Same book, different depth. Kindergarten names the character and the setting. Grade 1 adds how the character feels, and why.

Using one strong book at two levels is deliberate. A child who meets it again already knows the shape of the story, so none of their attention goes to figuring out what happens — all of it can go to the harder question of why.

What you can do at home

This is the entire assignment we send home with our Kindergarten families, and it takes about five minutes. Read a story with your child. Look at the pictures together. Ask how the character is feeling.

No reading level is required, and it does not have to be this book. You are practicing the same skill we practice in class, which is all we are asking for.

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ELA

The ELA Desk

The English Language Arts teachers at Beyond Young Academy in Millburn, NJ. We choose the books our classes read, and we write about why we chose each one, what it teaches, and how you can carry it home.